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・ Antônio Carlos Zago
・ Antônio Carlos, Minas Gerais
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・ António Lopes Ribeiro
・ António Luís Alves Ribeiro Oliveira
・ António Luís Costa
・ António Luís de Meneses, 1st Marquis of Marialva
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・ António Luís dos Santos Serrado
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António Manuel da Fonseca
・ António Manuel Nogueira
・ António Maria Baptista
・ António Maria da Silva
・ António Maria de Aguilar
・ António Maria de Bettencourt Rodrigues
・ António Maria de Sousa Horta e Costa
・ António Maria Lisboa
・ António Marinho e Pinto
・ António Marques Mendes
・ António Marquilhas
・ António Martins
・ António Martins (footballer)
・ António Martins (sport shooter, born 1892)
・ António Martins (sport shooter, born 1930)


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António Manuel da Fonseca : ウィキペディア英語版
António Manuel da Fonseca

António Manuel da Fonseca (27 September 1796, Lisbon - 1890, Lisbon) was a Portuguese painter, illustrator and theatrical designer; best known for his mythological and historical scenes.
==Biography==
His first studies were with his father, João Tomás da Fonseca, who was a painter and sculptor.〔(Brief biography ) @ the Chiado Museum website.〕 He then worked at the "Aula de Desenho e de Figura e História", founded by Joaquim Manuel da Rocha (1727-1786).
His first known work is a panel depicting King João VI and Carlota Joaquina, executed in 1820 at the "Palácio das Laranjeiras" for Count Joaquim Pedro Quintela and his wife. Two years later, he produced a large series of frescoes at the Palácio de Quintela;〔(Brief biography ) from the notes to ''Obras, precedidas de um ensaio biographico, augmentadas com algumas composições ineditas do poeta pelo visconde de Juromenha'' @ Google Books.〕 mostly scenes from the Roman-Sabine wars, landscapes showing Rome and its environs and miscellaneous themes from Greek mythology. In 1878, when he was in his 80s, he returned to do restorative work.
In 1825, he painted curtains for the Teatro Nacional de São Carlos, followed by a portrait of King Pedro IV. Supported by the King and Count Quintela, he was able to go to Rome, where he made copies of the Old Masters〔 and completed his artistic training with Vincenzo Camuccini and Andrea Pozzi.〔 He also spent time in London and Paris and, when he returned in 1836, he was appointed a Professor of history painting at the "Academia de Belas-Artes" (now part of the University of Lisbon).〔(Biographical notes ) from the ''Diccionario bibliographico portuguez'' @ Google Books.〕
In 1838, he designed costumes for a play by Almeida Garrett〔 and did set designs for the opera ''Robert le diable'' by Giacomo Meyerbeer. Together with the lithographer, Maurício José Sendim (1786-1870), he created illustrations for the ''Quadros históricos'' by António Feliciano de Castilho.
He continued to exhibit frequently, culminating in 1880 at a major exhibition in the "Palácio de Cristal" in Porto. He also served as drawing master to the future King Carlos and his brother Afonso. His many honors include Knighthood in the Order of Christ and the Order of the Immaculate Conception of Vila Viçosa,〔 as well as being a corresponding member of the Institut de France.

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